Video Mapping

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Why is video mapping exciting?
Moving images on complex, sometimes equally moving physical structures - that's fascinating!
What exactly is video mapping?
With video mapping, we harmonise projected images with physical objects to perfectly complement and animate them.
How do we realise precise video mapping?
We plan, visualise, program, distribute and configure - until everything perfectly fits together.
We have used video mapping
in a variety of contexts:
Musée Internationale de la Réforme
Video Mapping on Moving Glass Panes
- Testing and programming of the show using a 1:1 mock-up
- Precise video mapping on 100 rotating dichoic glass panes
- Position of the panes determines whether light is aloud to fall into this area
- Reflection creates moving coloured light patterns throughout the room
Endress+Hauser Flow Experience
Video Mapping on a Kinetic Wall
- Kinetic wall with a width of 15 metres
- 160 cubes move forwards by max. 32cm
- 4 projectors with short-throw optics project from the ceiling
- Total projection: 7680x1200px hard-edge compound image
- Video server: Intel Core i9 with GPU Quadro RTX5000
- Content is rectified in real time, blends perfectly into the current shape of the kinetic wall at all times
Schindler Lift Cabins
Mapping of 360° Videos on Walls and Ceiling
- Lift cabins equipped with ultra-thin OLED screens
- 360° video extends over walls and ceiling
- Coupling of film playback to lift control: playback duration corresponds to length of lift ride
- Image overlapping screens: Lift cabins of different sizes can be equipped
Swiss Museum of Transport
Video Mapping on the Sphere of the ‘Media World Globe’
- 112 screens form a sphere with a diameter of 3.5 metres
- ‘Mosaic mode’: each monitor shows a separate video
- ‘Sphere mode’: a globe-spanning video is played
- Render pipeline compresses existing content to fit the screen
- Distribution system ensures synchronised image distribution to all screens
- Software ensures seamless and rectified playback
- Globe development: 3D model ensures ‘random’ arrangement of the screens