New Building for the Kunstmuseum Basel
The facade of the new building for the Kunstmuseum Basel produces its effect through the symbiosis of stone and light: a three-metre-high frieze encircles the building at a height of twelve metres. Its narrow horizontal joints create a fine relief and are cast in shadow by the incident daylight. The light frieze uses this for artistic effect. White LEDs are set into the joints so they cannot be seen from the street yet precisely illuminate the specially formed grooves. Reflection on the light-coloured bricks of the frieze creates an indirect, diffused light that can be used to display both text and graphics.
The subtle way the frieze is enlivened by light allows the facade to change its character, seeming sometimes more and sometimes less transparent, and suggests diverse interactions between the building's interior and the surrounding urban space. During the day, the brightness of the illuminated joints corresponds to that of the ambient light outside. For the viewer, a powerfully poetic play of light and shadow emerges, which is fleeting and yet seems to be as solid as the masonry itself. As daylight fades, the frieze adapts to the new environmental conditions, becoming more radiant. It creates the illusion that the masonry is porous, as if it would enable someone outside to view into the building.
The light frieze spans across seven facade segments and has a total length of 115 metres. It comprises 40 horizontal joints with 1306 pixels each, which is thus equivalent to a total resolution of 1306 x 40 pixels. The spacing between the individual LEDs is 22 mm, and groups of four adjacent LEDs define each pixel. Sensors on the roof of the building determine the amount of light that falls on each of the individual segments of the facade in order to control the brightness of the LEDs.
The light frieze was designed by Christ & Gantenbein in collaboration with iart to be an integral part of the architecture. It takes the stylistic element of a frieze, which has been used since antiquity to decorate and give order to buildings, and brings it into the digital age by translating it technologically and aesthetically. In this way, archaic power and urban networking come together to create a new kind of media facade.
Conception, Planning and Realisation
17 April 2016
- Wienerberger Brick Award 2018: Grand Prize
- Design Preis Schweiz 2017
- Professional Lighting Design Recognition Award 2017
- 2017 IES Illumination Award of Merit 2017
- Cannes Lions 2017: Gold
- SEGD Global Design Awards: Honor Award & Best of Show 2017
- The One Show 2017: Best in Discipline and Gold Award
- 34th IALD Lighting Design Awards: Award of Merit
- Golden Award of Montreux 2017: Gold
- D&AD Awards: Yellow Pencil
- ADC Awards 2017: Gold
- iF Award 2017: Gold
- Essence 16: Gold
- Red Dot Award 2016: Grand Prix
- Media Architecture Biennale Award 2016